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What is the concatenation of victory and failure? How does die and yet endure?
At these interstices of language lies the fundamental truths of Love. What does it mean to be in love? It is a notion idealized and raised on high by all men, it is the apparent culmination of our lives.
But with Love comes pain. For Barthes Love is inseparable from Jealousy: if we are not jealous, it diminishes our love, it negates it.
We can never be happy in love, never truly happy, never complaisant. The lover is always waiting, he must ever have his love validated, requited, and won. Every win in love is a Pyrrhic victory, every favor won is hours, days, of agony paid for.
This is the view which Barthes takes, but it is not his argument. His view of love is a flavor of A Lover's Discourse, but it is not the entire course.
What do we mean when we declare the object of our love "adorable"? What do we mean when we affirm our love?
Frammenti di un discorso amoroso
These are the concerns of Barthes. When we read the Romantics, Byron, Keats, Shelley, we are presented with a view of Love that seems too large, too incompatible with feeble man: something more withheld from man for his imperfections, something which is manifest as a remote deity. Contrarily, when we discuss it in the quotidian tongue, it seems to us too pale a light: it lacks the allure of passion, something is missing. Despite his apotheosis of Language, even Barthes feels its inadequacy in front of the edifice of Love: To try to write love is to confront the muck of language; that region of hysteria where language is both too much and too little, excessive by the limitless expansion of the ego, by emotive submersion and impoverished by the codes on which love diminishes and levels it.
In front of Love, language is reduced to muck, it is inadequate. Barthes is torn between the deities of Eros and Logos - Love and Language. As a humbled votary genuflecting to the altar of Language, he is prostrate before the temple of Love.
ROLAND BARTHES FRAMMENTI DI UN DISCORSO AMOROSO EBOOK
As in death, love is a topic of infinite discourse. As Tolstoy echoes in the mouth of Anna Karenina's titular heroine: "'I think What Barth "Love" seems to me something which is impossible to define, to grasp.
What Barthes offers is not a definition of Love, but what it is to be a Lover. A Lover's Discourse is a masterful fugue of personal experience, literary precedence, and theoretical musing, which evokes emotion in the same pitch as a novel, but elicits introspection with the intellectual skepticism of Hamlet.
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As a piece representative of the Barthesian oeuvre, A Lover's Discourse straddles the duality of speech and meaning, of what it means to be a lover, but also the very discourse of love. It is the layered language of love which interests Barthes: what do we say when we are in love?
Though the semiotic approach to love seems distant and cold, it is the inverse which we feel when reading Barthes, whose very language moves the reader to a shudder of feeling: Am I in love? The other one never waits. Sometimes I want to play the part of the one who doesn't wait; I try to busy myself elsewhere, to arrive late; but I always lose at this game.
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Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time. The lover's fatal identity is precisely this: I am the one who waits.
Perhaps this book, novelistic essay or essayistic novel, must be read in one's prime, when one is in the throes of passion, to feel the full emotional impact - I do not know if this is the case. As a young man I am always on the precipice of romantic disaster, only in utter solitude, removed from all passionate enterprises, do I feel free from the pharmacopoeia half-poison, half-remedy of love.
Bliss and misery are the Janus faces of life, in love, in solitude, we cannot have one without the other, even if they only look at us in turns. The world subjects every enterprise to an alternative; that of success or failure, of victory or defeat Flouted in my enterprise as it happens , I emerge from it neither victor nor vanquished: I am tragic.
Love, life, and death, are infinite, they are the lands of contradictions, beyond the capacity of language.
FRAMMENTI Di Un Discorso Amoroso by Roland Barthes 9788806219451
What is both bliss and misery? What is the concatenation of victory and failure? How does die and yet endure?A Lover's Discourse is a masterful fugue of personal experience, literary precedence, and theoretical musing, which evokes emotion in the same pitch as a novel, but elicits introspection with the intellectual skepticism of Hamlet.
When we read the Romantics, Byron, Keats, Shelley, we are presented with a view of Love that seems too large, too incompatible with feeble man: something more withheld from man for his imperfections, something which is manifest as a remote deity. Is it my future that I am trying to read, deciphering in what is inscribed the announcement of what will happen to me, according to a method which combines paleography and manticism?
After each scene is formulated, Barthes subjects it to a philosophical battering of vigorous analysis, that constantly adds references from literary sources such as Goethe, Nietzsche, Freud, and Rilke, whilst throwing psychological and linguistic perspectives into the mix as well.
View all 8 comments. I am its poet its bard only for the beginning; the end, like my own death, belongs to others; it is up to them to write the fiction, the external, mythic narrative. Angus, Bennard. Se si, apertura immediata di una trattativa.
Or at least the crazy, desirous, all-consuming side of it. To tell the truth, no one--except for the others-- ever knows anything about it; a kind of innocence conceals the end of this thing conceived, asserted, lived according to eternity.